- Cover the client so that no product gets on them/their clothes
- Cut the edges of the mould off; keep these rough so that the mould sticks better and you can work down the edges
- Once you have stuck your mould to the desired area, wait for it to set and dry for a few minutes
- Once dry, use a cotton bud doused in pure witch hazel and rub at the edges lightly until they blend nicely with the skin. This can take quite a while so be patient!
- You can remove excess glue with pro-clean; be careful not to go too heavy with this as the solution could lift the mould away from the skin in places.
- Finish the mould with baby powder to make it look more fleshy and realistic!
Colouring the mould
- To colour the scar mould, mix up a few realistic colours from the supra colour palette
- I used paler colours for the edge of the mould/as a base to make sure that the darker colours on the mould weren't just suddenly there. It made it look more blended out and realistic looking.
Products used:
- Matrix scar moulds
- Witch hazel
- Pro clean
- Supra colour palette
Tools used:
- Cotton buds
- Artist brushes
For this task I ensured that my working space was clear and bags/coats put away. I made sure my hands were clean before starting the process and kept the model covered to insure nothing spilt on her clothing.
I found this lesson really difficult and its something I want to practise again to perfect it. The outcome of my scar to me wasn't very realistic, it seemed too bright in colour, for one, and the shape/smoothness of the edges wasn't how I wanted it. I am going to attempt to make my own moulds so that I can practise this particular technique!
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